Yesterday I finished re-reading Eon by Greg Bear.

Eon is a classic hard science fiction novel, dealing with a mysterious hollowed out asteroid that arrives in Earth orbit. Inside lie many mysteries and inevitably in a novel from during the Cold War, the Americans and the Russians fight over it. The postulation of a Soviet Union that survived into the future makes things look silly in retrospect, but otherwise it's a fine novel. The characters aren't particularly well drawn and are nearly indistinguishable for the first half of the book, but the flood of interesting ideas makes up for it.

2008 wrap up

Rather than a long year's end list, I decided to just highlight a few things I really enjoyed, and posted about, this year:

Books - I read a ton of books this year, but two stood out: Water For Elephants and Anathem.

Concerts - By far, the standout concert of the year was Town Mountain playing at the Freight and Salvage. Not only was it a great show, but it was a great introduction to a band I'd never even heard of before and now will try to see any time they come to northern California

Movies - Not a lot of standout work this year, but I really enjoyed Slumdog Millionaire. Pretty standard story, but a stunning setting and look made the film a joy to watch

Events - A toss up this year between the Maker Faire and the CBA Father's Day Festival/Music Camp. Two very different events, but both very much about communities of dedicated people creating just for the fun of it.

Yesterday, I finished The Wind-Up Bird Chronicle by Haruki Murakami.

Like Kafka on the Shore, the other Murakami novel I've read, The Wind-Up Bird Chronicle is a convoluted example of magical realism/urban fantasy. It is a lot more obscure than Kafka on the Shore, with a much less straightforward narrative and less explained in the end. It starts off with a man receiving some mysterious phone calls and then develops into a story of a missing cat, a failing marriage, a sinister brother in law and dreams that may or may not be in some sense real, all tied in with some people who were soldiers in Manchukuo, the Japanese created puppet state on mainland China.

Overall, another excellent novel by Murakami.

The day before Christmas I finished Sun in a Bottle by Charles Seife, a fascinating popular science book about the history of fusion research.

It starts with the quest for the "Super", a fusion based, rather than fission, based, nuclear bomb, and proceeds through the quest for peaceful use of fusion, both in the form of using thermonuclear devices as landscaping tools and in fusion power, including discussions of the cold fusion and bubble fusion debacles.

Seife does a good job of explaining why fusion has always been more difficult to harness than scientists initially predicted, including the best version of all the sides in the cold fusion debate over the years. From his point of view, it is clear that the current mainstream approaches to fusion power, tokomak's like the ITER develolment and laser-driven intertial confinement systems, may never reach even a basic breakeven point where they generate more power than is consumed. And he doesn't see any viable new approaches on the horizon. He doesn't directly address Bussard's polywell fusion approach, but seems to dismiss all fusor like devices which seems to indicate he doesn't think it will be viable but I think the jury is still out on that.

Very nicely written treatment of the subject, even if the conclusions are depressing since viable fusion power would be a huge boon to the world.

We saw the new version of The Day the Earth Stood Still today.

It's a decent film, if you don't think about it very much. The special effects are all pretty and Keanu Reeves, Jennifer Connelly and Kathy Bates are all effective in their roles. But Reeve's last minute change of heart and the pathos of Jennifer Connelly and her step-son bonding over a dead father we never met and who is a distant sub-plot aren't convincing.

Stick with the original in all it's 1950's cold war glory.

Yesterday I finished Stone of Tears by Terry Goodkind, the second book in his huge Sword of Truth series.

I had read the first book in the series years ago based on a friend's recommendation but didn't like it very much. I decided to pick up this one after reading more about Goodkind and seeing the TV series Legend of the Seeker, based on the books. Sadly, this book only impressed me slightly more than the first one. The plot and characters are OK, if a little derivative. In particular, comparisons between this series and Robert Jordan's Wheel of Time series seem obvious. The main problem I have with this book is it's length. It feels extremely bloated and long-winded. Particularly in the beginning of the book, chapters go on and on while seeming to advance neither the plot nor the character development, re-hashing the same discussions and material over and over.

Yesterday we went to see the latest Danny Boyle movie, Slumdog Millionaire, and really enjoyed it.

The story is very standard - two children grow up in poverty; One is more violent than the other and both protective and abusive; Along the way, they meet a girl that they fight over; They get involved in the criminal underworld with serious consequences. The most similar modern example is City of God, set in Brazil's slums, but there are many more that come to mind.

But the setting, Mumbai's slums, is vibrantly presented, the images are marvelous and the performances are all good.

There is one new twist - the framing story of how the lead characters gets on India's "Who Wants to be a Millionaire", does better than expected and suspected of cheating, adds some dramatic and comedic elements to the story.

Overall, very nicely done and worth seeing.

This morning I finished Anathem by Neal Stephenson.

In Anathem, Stephenson returns to the stand alone novels he used to write before his huge Baroque Cycle and it works very well. Unlike his last few books, Anathem focuses on one character and follows him throughout the novel. I enjoyed it from the start and it got better as it went along.

The beginning of the book will probably be offputing to some readers, in the same way that starting Patick O'Brien's Aubrey/Maturin novels is offputing. Stephenson does very little to set up, or give background, on the world he has created. Instead, he dives right in to the story. In addition, the story is very dialogue driven and uses a lot of terms that are specific to the history of this world. I spent the first hundred pages flipping back and forth to the glossary to keep all the different terms, historical personages and events straight. Once this information is mostly absorbed, the story starts to take off.

The story starts in a concent, kind of an intellectual monestary that is isolated from the outside world except for set periods every one, ten, hundred and thousand years. From there, it eventually ranges over the outside world, and above it. Along the way are a lot of intellectual discussions and a little bit of action. The novel is heavy on ideas, and light on action, which will turn off some science fiction fans, but those with a taste for philosophy and exploration of ideas will find a real treat.

Overall, Anathem is one of my favourite novels of the year.

Last night, I finished Viking Warrior by Judson Roberts, the first book of a trilogy of YA historical novels.

Fantasy has gotten quite popular in the YA world, providing an outlet for many fantasy authors as the adult fantasy/science fiction market struggles a little. Roberts seems to be taking advantage of that by positioning his historical novel set in the 9th century to the YA market. There are a lot of standard YA cliches in the book - the lack of, or quick death of the parents, the struggle for revenge, etc, but the book does a good job within that genre box in creating a compelling story and some sympathetic characters, as well as recreating a historical setting. The characters do not feel as period accurate as those in some hard core historical books, like the Aubrey-Maturin series by Patrick O'Brien, but they are a definite improvement over the "90210 goes medieval" feel that occurs in some YA books.

My strongest quibble with this book is with the cover - what's up with the brooding hunk? The actual contents of the book would be great for boys looking for an classic adventure story but the cover seems to be trying to market it to girls looking for a cute guy, something that will probably keep many boys away from it.

Every once in a while, I get a taste to read some pulp fiction. Real pulp died out in the 50s but one of the modern equivalents is the media tie-in novel - novels based on a movie, game or other product.

Because of that taste, I picked up Eisenhorn by Dan Abnett, one of many novels he has written based on the Warhammer 40K tabletop/roleplaying/computer games. I've never played the tabletop or roleplaying versions but I have played the real time strategy computer game Dawn of War.

The universe of Warhammer 40K is a dark one, part Gothic, part steampunk with an endless war between the forces of Order and those of Chaos. The titular character of Eisenhorn is inquisitor on the side of Order, tasked with tracking down and eliminating aliens and heretics. The book is actually a trilogy of novels and a couple of related short stories. The novels would work as stand alones but are tied together enough to make one coherent story, one that is a little more sophisticated than I expected from a pulp book. Eisenhorn develops as a character in some surprising ways along the way, dealing with using evil to fight evil and the effects that has on him and his relationships.

Overall, some pretty good pulp and if the mood strikes me again, I might look for more by the same author.

Yesterday I finished Havana Nocturne by T.J. English.

The books subtitle, "How the mob owned Cuba and then lost if to the revolution", says it all. The book does a nice job of laying out how US based gangsters got involved in Cuba, became very influential by partnering with Fulgencio Batista, the military strongman who dominated Cuban politicals for the first half of the 20th century, and then lost everything when Batista fled the island as Fidel Castro's 26th of July Movement took over.

English does a good job of balancing his coverage, keeping his editorial voice under control, and not giving any romantic overtones to two subjects often treated that way - the mafia and Castro.

Crows and Cats

I just finished Kafka on the Shore by Haruki Murakami.

The book tells two stories, the first is of a teenage runaway with some Oedipal issues, the second is of an old man who can’t read but can talk to cats. Ultimately, their stories connect even though they never meet or interact directly. The plot, and the characters, move in unexpected directions for the first half of the book. After the midway point, the stories start to come together, after which the events are easier to predict, if not always easier to understand. In the end, not every thing is explained but the underlying shape of what happened is revealed.

In the literary world, this book would be described as magical realism while in the genre world, it would more likely be called an urban fantasy. In either case, the term describes a setting similar to the modern world but with some degree of fantastical elements. In this novel, the fantastical elements are introduced very slowly but turn out to be integral to the plot.

Previously, I had seen a play based on Murakami's work, after the quake.

I liked both of these works quite a bit. Recommended.

I just finished The Coldest Winter by David Halberstam, his history of America's role in the Korean War.

Sadly, before reading this book my main source of info about the Korean War was having seen the entire run of M*A*S*H. For example, I knew the Chinese were involved but didn't know to what extent - that they were the main force the UN was fighting against in Korea for the bulk of the war.

The Coldest Winter is a little light on the actual details of the war - it seems to assume that most readers will be familiar with the details - and instead goes into a lot of detail in a few areas, like the initial Chinese offensive and the siege of Chipyong-ni. He also provides a lot of background material on the key figures involved, like Truman, McArthur and Ridgeway on the American side and Kim Il Sung and Peng Dehuai on the North Korean/Chinese side and on the larger political situation that provided context for the war.

Based on the quality of this book, I may pick up Halberstam's book on the Vietnam War as well.

Late last night, I finished Towing Jehovah by James Morrow.

Like the other books by Morrow I've written about here and here, Towing Jehovah is a satire with religious and philosophical dimensions. In this case, God has died and the protagonist, a fictionalized version of Joseph Hazelwood (captain of the Exxon Valdez) is given the job of towing the body from the equator to its resting place in the Arctic. Along the way, he will encounter radical feminists, a mutiny, WW2 re-enactors and an antediluvian island filled with pagan ruins.

Overall, the best of the three books I've read by him, though I enjoyed all three.

Yesterday I finished The Proust and the Squid by Maryanne Wolf, a book on the science of the reading brain.

The idea of the book is a little better than the actual book is. It's still pretty interesting but a little disappointing.

It goes over the history of reading/writing, starting with the earliest representational scripts and leading up to the modern systems, like the Chinese, Japanese scripts and the Greek alphabet. One odd omission is the Arabic alphabet, which isn't mentioned at all.

The middle section of the book deals with what parts of the brain are involved with reading, and how that evolves over time as reader progresses from just learning to decipher text to being an experience reader able to consider subtleties. And the third section uses analysis of dyslexic readers to further illuminate how the brain processes text.

This afternoon I finished The List of Seven by Mark Frost.

The List of Seven takes the historical figure of Arthur Conan Doyle, and then gives him an occult adventure before he became famous for writing the Sherlock Holmes stories. In this adventure, he encounters a few people and events that are obviously meant to be inspirations for things or characters that occur in the Holmes stories, including Holmes himself, his arch-nemesis Moriarty and their encounter at the Reichenbach Falls, and some other famous Victorians, including Bram Stoker and Madame Blavatsky. It starts when Doyle writes a novel based on the works of Blavatsky and featuring a conspiracy of occultists to conquer the world. It turns out that there is an actual conspiracy that finds out about Doyle's novel and decides to hunt him down for writing about it.

A not bad little pulpy pot-boiler.

Rashomon and Restoration

I just finished An Instance of the Fingerpost by Iain Pears, a historical novel set in Oxford during the English Restoration after Oliver Cromwell had died. It is a popular time in novels, also used in Neal Stephenson's Baroque Cycle and Morrow's Last Witchfinder, probably due to the turmoil in society at the time as well as the creation of new institutions like the Royal Society.

It is also a bit of a mystery, revolving around the death of a local scholar, possibly at the hands of a young woman. It's told Rashoman-like, in four stories told by different protagonists, most of whom are unreliable narrators for one reason or another. There is the Italian physician visiting Oxford on business, the law student seeking redemption for his fallen family honour, the court cryptographer looking out for conspiracies against the king and the historian who falls in love and resolves the mysteries.

Each of the narrative sheds light on the one before it and solves some mysteries while adding new ones. The author also does an excellent job of creating unique voices for each section - each story has a different feel to it that goes along with what we eventually learn about the character of the narrator.

I just finished Little Brother by Cory Doctorow, his paean to privacy, cryptography and "stickin' it to the Man".

Set after a terrorist attack in San Francisco, Little Brother is basically an excuse for Doctorow to go off on the stupidities of "homeland security" and the ways it can be spoofed by even tech literate teens.

In some ways, it resembles Heinlein's juvenile novels, for both good and ill. The story keeps moving and is interesting, and the writing is good in a straightforward way, but it gets bogged down in his pet interests/issues (privacy vs security) in a way that gets tiresome and, like a lot of Heinlein, there doesn't seem to be much distinguishing the protagonists of his various books, particularly not in the way they are written.
(I wrote about another book by him here.)

The other notable thing about this book for me is that it is the first one I have read in a digital format, in this case on the eReader app on my new Ipod Touch. I can't compare it to a Kindle, since I don't own one of those, but reading on the Touch is actually a pretty decent experience. The interface is easy to use, the screen/fonts are a decent size/appearance and, aside from some html text interpretation issues, it was an overall positive. I also tried the Stanza app, but abandoned, and deleted, it after it crashed for the twentieth time.

I could see transitioning a lot of my reading onto digital forms except for one thing - lack of reading material. 99+% of what I read these days is from the library and I buy very few books. Since there is no way yet to match DRM requirements and library use with digital readers, this limits me to free downloads, like Little Brother, or books that are in the public domain. Since the later includes most "classics", including personal favourites like the writings of Arthur Conan Doyle, I will keep it stocked for emergency situations, but most of my reading will remain in the standard book form.

I just finished Infoquake by David Louis Edelman, the first book in a new science fiction trilogy.

Infoquake is set in a future where a combination of nanotechnology and advanced programming referred to as bio/logic has transformed society. Society has also developed into a combination of tyranny/libertarian fantasy where a council seemingly rules everything but most day to day living is done without a global governing body.

It's an ambitious work, creating a full world that is very different from most, and a lot of the back story is still left untold, other than in a timeline included with the book. The beginning of the book also features an extensive section developing the main character, Natch, before the real plot continues. It's fairly well written, and the combinations of ideas are intruiging and new enough that I will definitely read the 2nd book in the trilogy when it comes out.

Last night we saw the David Thom and Del Williams bands at an RBA show.

I've seen David Thom a number of times before, and his band gets better every time I see them. They used to be just a good local band, but have changed into a very good, professional level, bluegrass band. The band has a very tight, high energy sound with lots of originals as well as traditional bluegrass songs. And it doesn't hurt that they've added a few Bay Area veterans, Paul Shelasky and Butch Waller, to the band.

The headlines, the Del Williams band, are a newer band, and you can tell. Their show was excellent, but less tight. The band itself is killer with excellent singers and pickers in all positions, except bass. The bass player seemed to struggle throughout the evening. They stuck to mostly traditional bluegrass and put on a great show.