Yesterday I finished The Iron Dragon's Daughter by Michael Swanwick.

Similar to The Stations of the Tide, Iron Dragon's Daughter throws the reader into the deep end of the pool, introducing a complex and multi-faceted world with little explanation or background. In this case, it's a clever combination of fantasy and technology. The background seems to be built around what might happen in a world where magic exists, and the industrial revolution also happens. The result is a fairly grim world where elves rule, dwarves and others serve and the disadvantage exist at the sufferance of those in power.

The protagonist starts out a virtual slave in a factory, longing for some other kind of life, which is eventually supplied by a damaged dragon - in this world a sentient war machine. The relationship between them is more built on mutual explotation than anything else, and is typical of the relationships in this book. The book is fairly grim, with characters scheming against each other, abusing and exploiting those around them whenever possible.

Very interesting, but also frustrating. The lack of exposition on the world make everything that happens feel somewhat arbitrary, and undermine the arc of the character's development and the story.

I just finished Odyssey by Jack McDevitt.

Odyssey is set in one of McDevitt's common worlds, where humanity seems to be almost alone in the universe, with no other advanced civilizations around and most of the threats come from the natural world or mysterious things, like the "Omega Clouds", but it is very different from most of his other novels. There is a lot more use of the politics of this world, which seem oddly similar to our own, with the future equivalent of NASA facing being shut down or under-funded. Meanwhile, some ships have started to see strange objects along their routes and no one is sure what they are.

By the end of the novel, there is more revealed, but McDevitt doesn't insist on wrapping everything up neatly in his novels and this is no exception.

The first half of the novel, which focuses more on the political struggles, is below average for McDevitt, but the second half comes on strong and gets a lot better, continuing McDevitt's streak as one of the more interesting modern SF writers.

On Sunday, I finished The Soul of the Fire by Terry Goodkind, the fifth in his Sword of Truth series.

The Soul of the Fire is better than the last book in the series. Maybe it's not surprising at this point, but the most interesting characters were the new ones he introduces just for this book. The main series characters are off screen for good portions of this book.

The plot involves some evil spirits accidentally loosed at the end of the last book. As a side effect, these spirits drain magic from this world, so the characters have to get by without their immense magical powers for a while.

The book also does very little to advance the larger level plot of the struggle against the Imperial Order that has been hanging around since part way through book two.

I just finished Ivory by Mike Resnick.

I don't know if there is a term for this type of story, but I have seen other examples, like the movie The Red Violin. Basically, it tells a larger story about the last of the Maasai tracking down the tusks of a legendary large elephant through smaller stories of the people who owned them, or stole them, or tried to acquire them. In this case, the stories range from Mount Kilimanjaro in the 19th century to 7 milleniums in the future, and from Earth across the galaxy.

The main character is the researcher who helps the Maasai. The author tries to make that part of the story interesting by holding back why the Maasai wants the ivory, as well as adding some minor growth in the protagonist, but it's really just an excuse for the mini-stories. The researcher is portrayed as a great puzzle solver, but his work seems entirely to consist of asking his super-computer "Have you found and new data on the tusks yet?".

But that minor quibble aside, it's quite an enjoyable book.

I just finished Dragons From the Sea by Judson Roberts, the second book in his Strongbow series of YA historical novels with horrible covers (see my review of the first book here).

The second book continues directly after the first, with the protagonist on the run and seeking revenge after his family is killed. In this book, he joins up with a ship's crew that is heading off to war against the Franks. The YA cliches do continue, but this book is darker than a lot of YA. The protagonist fights in a few realistically depicted battles, as well as killing a few people when forced, from his point of view.

Everything I said in previous review still holds - good story, great historical focus, some YA cliches and a protagonist with a somewhat a-historical modern outlook. The weakest part of the book is the ending, which comes fairly abruptly and leaves the entire story and characters development hanging. It feels like it is actually one book that had to be broken up for market reasons. The best part is the intense, well written, battle scenes.

On the weekend, we saw UP, the new Disney/Pixar animated film.

UP continues Pixar's string of winners. It's not as good as Ratatouille, The Incredibles or even WALL-E but definitely better than Cars.

While I will continue to look forward to Pixar's movies, I think they need to be careful about one thing - over use of nostalgia. UP almost drips with nostalgia, as did the much worse Cars, and it has also been strong element in a number of their other films, including Toy Story and The Incredibles. In UP, I hope it has reached its zenith and Pixar can move on to forward looking, rather than backward looking, stories.

I spent all of last week at the California Bluegrass Association's yearly music camp and Father's Day Festival up in Grass Valley.

Volunteering at the camp was fun, as usual. I was an assistant to Kathy Barwick's level 3 guitar class, focusing on cross-picking and playing up the neck. Kathy is a very good teacher and the class was very informative. I've decided that I need to move away from focusing on technique to going back to focusing on ear training, so it will be a while before I can make use it, but once I come back to it, I think her approach will be very useful for me to get away from just playing in the first five frets.

The rest of the camp seemed to go very well - no major problems that I know of, and I think everyone had a great time.

The festival was also great. In fact, I think it was the best one for me personally. There were a lot of good, hard driving bluegrass acts on the main stage (Danny Paisley and Southern Grass, Junior Sisk and Rambler's Choice, The Bluegrass Brothers), as well as some great sets by California bands, including 49 Special, Blue and Lonesome and Mountain Laurel. One of the highlights for me were the two sets by the Tuttles, a family band put together by Bay Area bluegrass teacher Jack Tuttle.

I also did a fair amount of picking this year, mostly with people I already knew, but I was a lot happier this year with my playing.

I wrote about this last year here.

I finished The Caryatids by Bruce Sterling over the weekend.

The Caryatids is set in an environmental dystopia where global warming has damaged the Earth badly enough to de-stabilize most of the world's nation states. The titular characters are a group of highly dysfunctional clones that become central to global events. The four surviving ones (of a set of seven) all hate each other, and their "mother", and refuse to interact, meet or even talk about each other.

The story was interesting, even though most of the characters are fairly unpleasant, and emotionally over-wrought to the point of annoyance. Sterling's thoughts on the environmental dangers of global warming seem over-blown, given current projections, and his political and economic ideas seem crank-ish, and that's probably being generous.

Yesterday I finished Black Gangster by Donald Goines.

Goines is one of the more famous early African American authors writing about street life. Black Gangster is a very pulpy story about the rise and inevitable fall of young man trying to take over the gangs in Detroit, through organization, shake-downs and murder.

It's enjoyable in the pulp sense, but not something to read if you expect to learn much about the realities of the street. This novel feels more like a reflection of the movie version of gang life, through a more authentic lense since Goines himself lived his life in this context.

I just finished Greymantle by John Morressy.

This is an early '80s era fantasy, similar to a lot of things I read when I was a kid. It's the second book in a trilogy, though it's a prequel to the first one, so maybe I should say it's the first book in the trilogy.

In any case, it's an OK read. Shorter than most modern fantasy books, which is a good thing, but with characters that are almost cardboard. The plot involves a baby with a destiny, saved by the good guys by swapping it with a dead one just before the bad guys try to kill it. He turns out to be the best fighter ever, as well as a darn nice guy, etc, etc, before returning to discover the bad guys and kill them all.

There are some twists and turns, as it turns out the bad guy is actually being manipulated by a group of other bad guys. And some of the plot is handled oddly. Characters are introduced, built up and then killed off screen with very little fanfare. The final confrontation between the hero and the guy who tried to kill him as a baby is very quick, and then things move on to the behind the scenes bad guys.

Maybe it would make more sense if I'd read the other first book in the trilogy, but I doubt I ever will.

Amazon Link: Greymantle

Today I finished Queen City Jazz by Kathleen Anne Goonan.

A post-apocalyptic book without the military as the featured bad guy - yay!

Actually, it's kind of post-post-apocalyptic, which is clever. It seems civilization got into trouble after broadcast medium (radio, TV) is eliminated due to some kind of extraterrestrial radiation. (I know that sounds stupid, but it's not really a heavy feature of the book, so it's best to just ignore it.) Afterwords, the world turns heavily to nanotechnology, which produces some seemingly Utopian cities and then leads to "Information Wars" and nanotech plagues.

The book is confusing (and possibly confused) in places - for example, is Norleans a good place or a bad place? Are the plagues actually helpful or not? - but there are lots of interesting images and ideas once the heroine travels from her countryside community (based on the Shaker ideals) to one of the nanotech infested cities. She turns out to be kind of a chosen one/sacrifice, (of course) but doesn't quite want to go along with others plans for her as she unravels the mystery of why the city is the way it is.

Interesting book, and maybe some of my questions will be answered in the sequels.

Last night, we saw the new Star Trek movie, Star Trek.

Based on the trailers, I didn't know if I would enjoy this version, but I did. It continues in the trend that the more action oriented Star Trek movies are the better ones. This new re-boot of the series is almost all action, with just enough pauses to introduce new versions of the old characters.

There are tons of plot holes and stupid moments, but the quick pace of the movie, along with some decent jokes and acting, propels the movie along fast enough to gloss over the problems. And not everything was stupid. For example, the fact that the movie internally addresses the fact that it is a re-boot, was amusing and well done.

The real challenge will be if they can pull it off again - if this movie does well enough to lead to a twelfth film.

Last night, I finished The Steep Approach to Garbadale by Iain Banks.

To read my general thoughts on Iain Banks, you can see the synopsys at the top of my review of his last book, Dead Air, here. This new book is again in a similar vein, more like The Crow Road than his stranger books. In this case, even more so than Dead Air, since both The Crow Road and The Steep Approach to Garbadale have a lot to do with family mysteries and conflicting romantic relationships. The newer book is structured very differently, with interlacing flashbacks and points of view instead of a consistent narrator.

Garbadale is a good book, if not quite up to the standards of The Crow Road. His characters never fail to be compelling and interesting, and the reader strongly feels their emotional struggles and dilemmas. The opening is weakened a little by the multiple, switching narrators and point of view, but once the main shape of the story is visible, it is quite engrossing. There is a minor revelation at the end that I had mostly figured out.

The one negative about the book were the anti-Bush/America diatribes near the end. Putting aside whether or not one agrees with their content, they felt out of place in the story and seemed to be their just so the author could vent his spleen. In the future, I'd recommend that he gets a blog for that purpose, and doesn't burden his characters, stories and readers with them.

I spent most of Saturday and a good part of Sunday at the Maker Faire in San Mateo.

This is my third Maker Faire (I missed the first one). Seemed to be a slightly smaller crowd this year, though still well attended and very crowded feeling at times. This year had fewer of the huge metal sculptures that seemed to everywhere last year, more sponsors and people selling things and fewer logistical problems than in the past. For example, all the speeches I saw were pretty much on time and free of issues with laptops, presentation software, video or audio that were prevelent at the previous two. Most of the major things seemed to be the same - the Crucible was there, the huge mousetrap, the dangerous rides, the incredibly expensive food. No sign of Robot Wars this year (or whatever they called it) but they did give a lot of space to Playing At Learning's displays on the First Lego League and First Tech Challenge. The music seemed to be a little de-emphasised this year, with a smaller stage and less shaded seating but still some good acts (like Culann's Hounds). This year also had less emphasis on steampunk, though there was a strong steampunk contingent, both costumers and makers, there representing.

Adam Savage's speech, although very different from last years, was a highlight again. Some of the other interesting speeches I saw were on DIY electronics prototyping, needs for better robotic manufacturing, a history of Silicon Valley before Hewlett-Packard.

Overall, very fun, but also getting very expensive and the crowds are still an issue for me.

(some photos here).

I wrote about the last two Maker Faires here and here.

Yesterday, I finished First Contract by Greg Costikyan.

Costikyan is best known as a game designer, including the wacky post-apocalyptic Paranoia. First Contract has a similar feel, in terms of wacky action, at time. It's the comedic story of the CEO of a high-tech company and what happens to him, his company, and the human economy after first contact between humans and a galactic federation.

The novel starts off weak, with some poorly developed characters and worse dialogue, but picks up after the CEO loses everything. When he gets caught up in a new business scheme, the book picks up pace and the comedic tone comes through stronger. The economics also strike me as a little unlikely, but they are necessary to set up the rest of the amusing story, so I guess it's OK.

Fun, but minor.

A few days ago, I finished William Blake: An introduction by Raymond Lister.

I got re-interested in Blake from seeing an exhibition at the Tate Britain in London. It was a recreation of a exhibition Blake had given in his brother's home. The exhibition was intriguing, even though most of the exhibition items are either missing or so dark as to be hard to pick out details. I'm not sure if they darkness was due to the effects of time, or part of Blake's intention.

This book is an OK introduction, walking through the events of Blake's life and discussing most of his major works. The mix of biography and analysis, and the small size of the book, results in a shallow analysis of both. Given that Blake is so different from any other artist of the time (or probably since), I would have like more about how Blake came up with his unique mythology, or more analysis with more prints, preferably in colour.

William Blake;: An introduction to the man and to his work

I spent a ton of time this weekend at Baycon, the local science fiction convention.

I've posted before about Baycon. I'm not involved in the local fan scene, so I don't really know any of the people, so most of my con experience is about the panels. There were no real stand out panels I saw this year but I think I've refined my "panel triage" skills, since I enjoyed the panels I did attend more this year.

Here are some of my thoughts on the important items to consider in "panel triage".

Panel Topic

• Aside from being interested in the topic, is the topic something that will be able to be talked about for an hour, usually by non-experts? If it's not, expect a panel that will digress and wander a lot.
• is the panel intended to be a panel + audience or a more free form discussion? Both can work, depending on your taste.In the first case, the moderator becomes key. In the second, the quality of the audience is paramount.
  

Panelists

• are they experts (or at least knowledgeable on the topic)? A rough rule - if more than one panelist opens by saying "I'm not sure why I'm on this panel", check out a different panel.
• how are their presentation/humour skills? For example, there are a few presenters at Baycon that are consistently amusing, no matter what the topic (Seanan McGuire comes to mind).
  
• are there any blowhards on the panel? These can derail almost any panel, even with a good moderator.
• how strong/experienced is the moderator? This is particularly important relative to the next category

Audience

• if the panel is intended to be more of a "panel + audience", are there members of the audience who don't understand this and try to have a back and forth conversation with the panelists, even if they aren't talking to this attendee directly?
• are there attendees who don't seem to understand that the panel isn't about them, and that there may be more than one person who has questions or comments? This can also be a problem with some panelists (see "blowhard" comment above).

I just finished The City, Not Long After by Pat Murphy. A post-apocalyptic story set in and around San Francisco.

I'm not sure why this is, but it seems the military is the villain of choice in any post-apocalyptic story, whether they caused the disaster (see Stephen King's The Stand), or whether they try and take over and impose their ideas of order and discipline afterwords (see CBS's Jericho, or many others. The one semi-original piece of this book is that the apocalyptic disaster is actually accidentally caused by peace activists, instead of the military industrial complex.

In this novel, the contrast is even larger because the protagonists are artists and free spirits who live in San Francisco in a very Utopian anarchic society. Who knew that all we needed for a comfortable life we could devote to art was for 99+% of the population to die off? In addition to that silliness, there is an uncomfortable anti-American vibe throughout the book. For example, the evil military leader espouses the values of "America" and is mocked by other characters and one characters opines that they always thought the old American flag was "ugly".

Yesterday, I finished Renegade's Magic by Robin Hobb.

This is the third book of a trilogy, and I wrote about the second book here. The general things I said in that post are still true, i.e. Hobb is one of the best writers in fantasy today, partly because she writes complete books instead of books that are really just part of one larger book, and trilogies instead of endless series. Also, this trilogy, while quite good, is not quite as good as her other ones. Another interesting feature of Hobb's work is that it is not very derivative. She creates unique worlds, unique magic and then populates them with realistic characters.

Renegade's Magic is a good closing of this trilogy, resolving the open issues from the first two books and resolving the over-arching problem of the conflict between two cultures.

Hobb is a master of creating impossible, or tragic, situations for her characters and then having them struggle their way through them. In this book, that takes the form of the protagonist being trapped in his own body as part of him that was split off in the first book controls it. The only problem is that this plays into one of Hobb's few weaknesses, that her characters can be too indecisive and passive, like Hamlet, endlessly debating their options and suffering along the way. This book felt a little too passive for large portions of it.

I just finished The Victorian Underworld by Donald Thomas.

Thomas synthesizes a lot of first hand researchs from sources like Henry Mayhew into a very interesting account of the seedy parts of the Victorian world, from crime and poverty among the costermongers (street vendors), to the ever present prostitution and sophisticated forgers and pornographers.

He gives a lot of good anecodtes, most drawn directly from sources like Mayhew. I'll have to track down one of Mayhew's works to see how much Thomas adds to it, or if the source is better.